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A key contributor to Uruguay's famed literary Generación del 45
The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written
Bird language that flies to places I’ve never been
Hijikata became concerned with developing notation for his Butoh
And every word is spot on
Awaiting I Want Something Other Than Time A key contributor to Uruguay'sCharisse Pearlina Weston Part autobiography, part play, part fictive dream as long poem, Awaiting begins by detaching phrases and motifs from two seemingly disparate plays (Lorraine Hansberrys What Use are Flowers? and Samuel Becketts Waiting for Godot) and entangling them into centos or poetic remixes. Through the incorporation of these entanglements, original poetry, and a surreal landscape, what develops is a new work blurring the sightlines of
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