Confetti Dear Angel of Death and deeply intimate in its

and deeply intimate in its private recollections

‘Ik ben nu jouw klimop

Self-Portrait in the Zone of Silence

Gboyega Odubanjo

style and subject matter offer a mirror to personal and historical narratives of oppression

Confetti Dear Angel of Death and deeply intimate in itsEmmalea Russo By turns cinematic, cosmic, alchemical, and geometric, Confetti uses language to alter the boundaries between film and daily life. Against a backdrop of screens, personal relationships extend into a play of light to create a meditation on disposability and permanence. Confetti soaks up dirt, shimmers, and gets thrown up into the air, landing on the ground in strange piles.